Dance

Politics

Loving Him Meant Facing My Greatest Fear

In the studio, filled with light, I watch my boyfriend, the artist and choreographer Matty Davis, as he dances beside…

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Arts

FKA twigs Dances Martha Graham: ‘This Is Art in Its Truest Form’

Once a young bunhead, the acclaimed musical artist is taking the stage with the Martha Graham Dance Company. For her,…

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World

Ushio Amagatsu, Japanese Dancer Who Popularized Butoh, Dies at 74

He brought worldwide attention to a radical yet elemental form of contemporary dance that emerged in the wake of wartime…

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Arts

Review: Dance Theater of Harlem Is in New (and Capable) Hands

The company performed its first New York City Center season under the direction of Robert Garland in a program including…

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Arts

The Sounds That Made Her Move: ‘Music Fed My Life Force’

The choreographer Dianne McIntyre presents “In the Same Tongue,” a dance she calls “an artistic history of myself,” at the…

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Arts

Review: Turning Dancers Into Aliens One Step at a Time

Under the artistic leadership of Emily Molnar, Nederlands Dans Theater returned to New York City Center with a less than…

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Arts

Review: Millepied and Muhly, Partners in Space and Sound

Benjamin Millepied and Nico Muhly’s evening of minimally accessorized dance and contemporary music feels right at home at the Philharmonie…

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Arts

For 50 Years Ailey II Has Been a Proving Ground, Not Just for Dance

As the second company of Alvin Ailey American Dance Theater has evolved, it has trained dancers and choreographers for tenacity…

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Arts

Allison Holker Is Dancing Through the Ups and Downs

The performer stopped dancing after the death of her husband, Stephen Boss. Now she’s a judge on “So You Think…

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Arts

Review: Looking for Love With Burt Bacharach, and Finding a Prayer

Mark Morris’s “The Look of Love” at the Brooklyn Academy of Music is uneven, but you can’t fight its swing.

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