Robert Ashley’s 1994 opera “Foreign Experiences,” a portrait of a paranoid mind in free fall, is part of a wave…
Opera
Costanzo will be a rare figure in classical music: an artist in his prime who is also working as an…
Fortunato Ortombina, the general director of Teatro La Fenice, Venice’s opera house, will succeed Dominique Meyer, a respected French impresario.
After making history as the Metropolitan Opera’s first work by a Black composer, Terence Blanchard’s “Fire” is back — with…
At Munich’s prestigious opera house, the Russian-born Vladimir Jurowski has broadened the repertoire while rooting his work in political awareness.
A tireless advocate of contemporary music, he adapted literary sources both modern and classic, instilling his work with “inimitable character…
His works, which were radically individual, were among the most celebrated of the late 20th and early 21st century.
Ellen Reid and Roxie Perkins’s new opera, about events still in progress, finds fault and complicity in every player of…
As Adès premieres an orchestral work, “The Exterminating Angel” is receiving something rare in contemporary opera: a new production.
A soprano who rose from South Philadelphia to the opera houses of Europe, she was memorably seen and heard in…