Arts

TriBeCa Gallery Guide: New York’s Most Vibrant Art Scene

Galleries have been moving to TriBeCa for a good five years, but the migration has finally hit critical mass. As…

‘The Souvenir Part II’ Review: Life, as She Imagines It

Deep into “The Souvenir Part II,” a young woman walks through a hall of mirrors as if in a dream.…

Review: ‘Caroline, or Change’ Makes History’s Heartbreak Sing

Difficult, even painful stories are no impediment to great musicals. Maybe the opposite is true. Pogroms, suicides and revolutions have…

‘Last Night in Soho’ Review: Dream Girls

Early in Edgar Wright’s “Last Night in Soho,” there’s a rapturous sequence showing Eloise (Thomasin McKenzie), a fashion student recently…

‘Antlers’ Review: Buck Wild

“Antlers,” a moody muddle by Scott Cooper (“Hostiles”), attempts to do for the wendigo, a man-eating, steroidal, elk-like creature from…

A New Era Takes Shape at the World’s Opera Capital

MUNICH — Serge Dorny quietly opened a door to the cavernous rehearsal hall of the Bavarian State Opera here one…

Gun Handed to Alec Baldwin Was Not Thoroughly Checked, Affidavit Says

SANTA FE, N.M. — Before he handed a revolver that he had declared “cold” to the actor Alec Baldwin on…

New York Has a New Band of Buzzy Post-Punk Teens: Geese

Every year, scores of young bands try their hardest to get a label deal that might provide a shot at…

Review: What Does Ballet Need Now? Not Retro Fantasy.

Tony Bennett has long lived by a basic tenet: When everybody zigs, he zags. For him, it’s a mantra —…

Review: Wagnerian Comedy Is No Joke in the Met’s ‘Meistersinger’

There were swaths of empty seats at the Metropolitan Opera on Tuesday evening, when Wagner’s sprawling comedy “Die Meistersinger von…

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