Movie

Arts

‘The Exorcism’ Review: Losing Faith

Russell Crowe stars as an actor playing an exorcist who’s battling his own demons.

Arts

A ‘Cursed Film’ Novel, Spiked With Venom and Fear

Lock the windows and bolt the doors before picking up Paul Tremblay’s “Horror Movie.”

Arts

Francis Ford Coppola: ‘You Can’t Be an Artist and Be Safe’

The filmmaker talks about the inspirations for the characters in “Megalopolis” and “The Godfather,” and responds to recent allegations.

Politics

Richard Linklater Sees the Killer Inside Us All

Richard Linklater’s latest movie, “Hit Man,” is a bit of a departure for the director, who has made some of…

Arts

How Stop-Motion Yetis Emerged From Film Hibernation

“The Primevals,” a movie in the lineage of “Jason and the Argonauts,” was filmed 30 years ago. It has finally…

Arts

‘MoviePass, MovieCrash’ Review: When They Take Your Company Away

An illuminating documentary about the ill-fated (though now-revived) subscription service finds an unexpected story.

Arts

‘Furiosa: A Mad Max Saga’: What Do Critics Say? What Do You Say?

The reviews all agree that the follow-up to “Fury Road” feels sadder and heavier. But is that a good thing?…

World

The Cannes Love Affair With American Cinema Takes Unexpected Turns

Whether it’s Demi Moore’s performance in “The Substance” or Sean Baker’s tale of a Brooklyn sex worker, this year’s jury…

Arts

‘Hit Man’ Review: It’s a Hit, Man

Glen Powell stars in one of the year’s funniest, sexiest, most enjoyable movies — and somehow it’s surprisingly deep, too.

Arts

Two Wild Movies at Cannes Have Everybody Arguing

“The Substance” features Demi Moore in go-for-broke mode, while “Emilia Pérez” is a musical crime drama that defies description.

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