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World

Biden’s 46 Words About Israel at a Critical Moment

I woke up on Saturday morning, read the news from Israel that at least 50,000 Israelis had just demonstrated once…

World

Can a Police Officer Accused of Spying for China Ever Clear His Name?

Federal prosecutors said Baimadajie Angwang was an agent for China who used his N.Y.P.D. job to report on Tibetans. Then,…

World

Greta Thunberg: ‘The World Is Getting More Grim by the Day’

There is genuinely no precedent in the modern history of geopolitics for the climate activist Greta Thunberg. Four and a…

Business

President Biden Is Not Backing Off His Big-Government Agenda

In his first appearance before a Republican House, the president renewed calls for large new economic programs and offered no…

World

Revisiting the Summer of Stagflation

I don’t know whether there will be any surprises in the State of the Union address. I do know that…

Arts

Songwriter or Star? The-Dream, Muni Long and Two Paths to the Grammys.

Ahead of the first-ever Grammy Award for songwriter of the year, two musicians who have been both headliners and behind-the-scenes…

World

In the Age of A.I., Major in Being Human

Last summer, a piece of artwork generated with artificial intelligence took a first prize at the Colorado State Fair. To…

World

Something Very Important for Democrats Just Happened in Pennsylvania

I believe as fervently as anyone in the value of a four-year college degree not just as a path to…

Arts

Review: Dancing for Themselves in an Underworld of Shadows

Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay’s delicate, hypnotic “Horse, the Solos.”

Arts

‘Knock at the Cabin’ Review: Who’s There? The Apocalypse.

In M. Night Shyamalan’s latest thought experiment, Dave Bautista brings the end of the world to a peaceful country cottage.

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